Hobo Tramp Art Carving an Authentic American Folk Tradition

Tramp art frame with maker'due south photo

Tramp fine art is a style of woodworking which emerged in America in the latter half of the 19th century. Some of tramp art's defining characteristics include bit or notch carving, the reclamation of cheap or available woods such as that from cigar boxes and aircraft crates, the use of unproblematic tools such as penknives, and the layering of materials into geometric shapes through glue or nails.^[one] 1 technique used in tramp art is Crown of Thorns joinery.

History [edit]

Although widespread use of wooden cigar boxes in the 1850s sparked interest in tramp art,^[ii] it was most prevalent during the Slap-up Depression.^[three] Tramp art was made effectually the world simply information technology prospered in the United States. Examples tin be found in every state. The most common forms were the box and the frame and although in that location were no rules or patterns to lend commonality in the artists' work at that place were objects fabricated in every believable shape and size including total sized furniture and objects of whimsy.

Tramp art was an art form fabricated wherever the raw materials used in its structure were found. It appealed to men who might have made an of import body of work such every bit 'Sunflower' artist John Martin Zubersky (active c. 1912 – 1920) or the wonderfully expressive wall pockets by John Zadzora (agile circa 1910) but also to men who might have fabricated one piece in their lifetime. It was like shooting fish in a barrel to make and appealed to anyone who had a desire to take a pocketknife to woods.

There were countless men, some women, and even children who historically constructed tramp art.

Origins of the term [edit]

A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp work" to describe crafts constructed from waste product materials such as discarded cigar boxes and assembled with a penknife.^[4] Contemporary scholars and art dealers such as Clifford A. Wallach have noted that while this art form may have been skilful among America'southward afoot population, it was past no ways unique to them and was practiced past factory workers, farmers, and laborers in other occupations.^{[5] [6]}

In 1975 Helaine Fendelman published the kickoff book on tramp art, Tramp Art an Itinerant'southward Folk Fine art. The book acted as a itemize to the kickoff museum show on the art class sponsored by the American Folk Art Museum.^[6]

Bibliography [edit]

Books on Tramp Art:

• Helaine Fendelman (1975). Tramp Art, An Itinerant'southward Folk Art. New York: E. P. Dutton & CO.
• Clifford A Wallach and Michael Cornish (1998). Tramp Art, One Notch at a Time. New York: Wallach-Irons.
• Helaine Fendelman and Jonathan Taylor (1999). Tramp Art A Folk Art Phenomenon. NY: Stewart, Tabori & Chang.
• Clifford A Wallach (2009). Tramp Art Some other Notch, Folk Art from the Centre. Atglen, PA: Schiffer Publishing Ltd.
• Clifford A Wallach (2012). A Legacy in Tramp Art. Atglen, Pa: Schiffer Publishing Ltd.

References [edit]

1. ^ Daniels, Mary (May 28, 1989). "Tramp Art, the Ugly Duckling of the Folk Fine art Earth". Chicago Tribune . Retrieved ane March 2020.
2. ^ Vandertie, Adolph; Spielman, Patrick E. (1995). Hobo & Tramp Fine art Etching: An Authentic American Folk Tradition. Sterling Pub Co Inc. ISBN978-0806931852.
3. ^ Fendelman, Helaine; Rosson, Joe (July seven, 2011). "Treasures: A 'crown of thorns' tramp art frame". The Seattle Times . Retrieved one March 2020.
4. ^ Lichten, Frances (Spring 1959). ""Tramp Piece of work": Penknife Plus Cigar Boxes". Pennsylvania Folklife. 10 (1): two–seven. Retrieved one March 2020.
5. ^ "No Idle Hands: The Myths & Meanings of Tramp Art". Museum of International Folk Art . Retrieved i March 2020.
6. ^ ^{a b} Clifford A. Wallach. "History of Tramp Fine art". trampart.com. Retrieved one January 2014.

External links [edit]

• American Folk Art Museum

ardwandrang.blogspot.com

Source: https://en.wikipedia.org/wiki/Tramp_art

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